Please contact me if you need any assistance. Subject to room availability. Alternatively, call me on or email dawn spiritual-butterfly. Check out the events page as well as my latest blogs on the right hand side. You are invited to an introduction to shamanism and the Medicine Wheel. The Medicine Wheel is used by native culture to understand our journey through life. On this sacred day in the Yurt, we will be learning about the sacred directions according the Lakota tradition and what it means to walk the red and blue roads in our life.
Butterfly Spirit Animal & Totem
We will be opening with ceremony sage blessings and creating a medicine wheel. You will learn how to undertake a medicine journey to seek insight and how to understand the information given. We will work with animal medicine and totem animals. A very sacred day meditating, journeying to the beat of the drum. All levels welcome.
Please call me on with any questions. Please call me on the above number to pay by card if you do not have paypal. Butterfly pleads with Pinkerton to "Love me, please. Pinkerton admits that it is true but explains, "Do you know why?
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So that she will not fly away. You are mine. As the curtain opens, three years have passed. Suzuki kneels in front of a Buddha, praying that Butterfly will stop crying. Butterfly hears and tells her that the Japanese gods are fat and lazy, and that the American God will answer quickly, if only He knows where they are living. Suzuki tells Butterfly that their money has almost run out and, if Pinkerton does not return quickly, they will suffer in a bad way.
Butterfly assures Suzuki that Pinkerton will return, because he took care to arrange for the consul to pay the rent and to fit the house with locks to keep out the mosquitoes, relatives and troubles. Suzuki tells Butterfly that foreign husbands never return to their Japanese wives, but Butterfly replies furiously that Pinkerton had assured her, on the very last morning they were together, "Oh, Butterfly, my little wife, I shall return with the roses, when the earth is full of joy, when the robin makes his nest.
In this, the opera's most famous aria and one of the most popular works in the soprano repertoire , Butterfly says that, "one fine day", they will see a puff of smoke on the far horizon. Then a ship will appear and enter the harbor. She will not go down to meet him but will wait on the hill for him to come. After a long time, she will see in the far distance a man beginning the walk out of the city and up the hill. When he arrives, he will call "Butterfly" from a distance, but she will not answer, partly for fun and partly not to die from the excitement of the first meeting.
Then he will speak the names he used to call her: "Little one. Dear wife. Orange blossom. Suzuki departs, as Sharpless and Goro arrive in the garden.
Go in. Sharpless greets her, "Excuse me, Madam Butterfly. Welcome to this American home. At this, Butterfly hears Goro laugh, and she whispers to Sharpless that Goro is a bad man. She tells him that, after Pinkerton left, Goro came to her many times "with presents to palm off this or that husband on me. Yamadori, ancor le pene "Yamadori, are you not yet…". Butterfly sees Yamadori and asks him if he is not going to give up pursuing her, because "You have already had many different wives. In the meantime, Sharpless gives up trying to read Pinkerton's letter to Butterfly, and he puts the letter back in his pocket.
Goro tells Sharpless that Butterfly thinks that she is still married. Butterfly hears this and says, "I do not think I am; I am. She tells Goro that she understands how easy divorce is under Japanese law, "but in America, you cannot do that. Butterfly turns triumphantly to Suzuki and asks that she serve tea. Yamadori, Sharpless and Goro quietly discuss Butterfly's blindness. Goro whispers that Pinkerton's ship is expected to arrive soon, and Sharpless explains that Pinkerton is too embarrassed to meet Butterfly and has asked Sharpless to handle it.
Yamadori, offended, departs with his grand entourage and Goro. Sharpless remains, sits next to Butterfly, and takes the letter out of his pocket once more. Ora a noi. Sharpless begins to read Pinkerton's letter to Butterfly: "My friend, will you find that lovely flower of a girl…" Butterfly cannot control her happiness, as he continues, "since that happy times, three years have passed, and Butterfly perhaps does not remember me anymore.
Suzuki, you tell him! He puts the letter away, muttering to himself, "that devil Pinkerton! Due cose potrei far "Two things I could do". Butterfly cries that, if Pinkerton never returned, she would go back to entertaining people with her songs, or, better, die. Sharpless pleads with her to accept the rich offer from Yamadori. Butterfly is upset with Sharpless and instructs Suzuki to show him out. As he begins to leave, Butterfly stops him, apologizes for her anger, and explains that his questions have hurt her "so very, very much! M'ha scordata? He has forgotten me? Butterfly shows Sharpless her child, and Sharpless asks if Pinkerton knows.
Butterfly replies, "No. The child was born when he was away in his big country. Listen to my sad song, For an unhappy mother, your charity.
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Take pity! And Butterfly — oh, horrible destiny — will dance for you! And as she used to do, the Geisha will sing for you. And her joyful, happy song will end in a sob! Never more to dance! Rather would I cut short my life! Io scendo al piano. Sharpless asks the child his name, and Butterfly answers for him, "Today my name is Sorrow. But write and tell Daddy that, the day he returns, my name will be Joy.
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Offstage, Suzuki can be heard shouting, "Snake. Damned toad! Every day he tells the four winds that no one knows who is the child's father!
In a rage, Butterfly runs to the shrine, seizes the dagger and threatens to stab him, "You are lying! You are lying! Say that again, and I will kill you! Suzuki takes the child to the other room. Butterfly replaces the dagger, goes to her son and says, "You will see, my darling, my Sorrow. You will see, your savior will take us far, far away to his land. Il cannone del porto!
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Just then a cannon shot is heard. Suzuki and Butterfly watch from the hill as the ship enters the harbor and drops anchor. Then Butterfly sees that the ship is the Abraham Lincoln , and she tells Suzuki, "They were all lying! All of them! I alone knew. Only I, who love him. He has returned, and he loves me! Two hours, perhaps? The house must be filled with flowers. As the night is full of stars! Tutti i fior? Suzuki asks, "All the flowers? Or vienmi ad adornar "Now come to adorn me".
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Finally, Butterfly sits at her dressing table and tells Suzuki, "Now, come and adorn me. No, first bring me the child. My uncle, the priest? All so happy at my misery!
And Yamadori, with his pursuit? Ridiculed, disgraced, made foolish, the hateful things! Butterfly tells Suzuki that she wants Pinkerton to see her dressed as she was on the first day "and a red poppy in my hair. Coro a bocca chiusa "Humming Chorus". As the off-stage chorus hums a wordless, melancholy tune, Butterfly, her child and Suzuki begin the long wait for Pinkerton to come. Night falls. Suzuki and the baby are soon asleep, but Butterfly keeps her vigil. There is no intermission between acts 2 and 3. The action continues without interruption as the "Humming Chorus" ends and morning light appears.
Oh eh! Suzuki and the baby are asleep, but Butterfly remains standing and waiting. Distant voices are heard from the bay. Sailors are singing, "Heave-ho! Suzuki awakes and is very sad. Butterfly tells her that "He will come. Suzuki waits in the front room and hears a knock at the door.
Pinkerton and Sharpless have arrived, but Pinkerton tells Suzuki not to wake Butterfly and asks how Butterfly knew that he had arrived. Suzuki tells him that, for the last three years, Butterfly has studied every ship that entered the port. Sharpless tells Pinkerton, "Did I not tell you so? You are commenting using your WordPress. You are commenting using your Google account.
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