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Des croix sur la mer
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Skip Ad. The earlier Romanticism of poetry used symbols , but these symbols were unique and privileged objects. The symbolists were more extreme, investing all things, even vowels and perfumes, with potential symbolic value. Significantly, in French, cygne is a homophone of signe , a sign.
The overall effect is of overwhelming whiteness; and the presentation of the narrative elements of the description is quite indirect:. Verlaine argued that in their individual and very different ways, each of these hitherto neglected poets found genius a curse; it isolated them from their contemporaries, and as a result these poets were not at all concerned to avoid hermeticism and idiosyncratic writing styles. These traits were not hindrances but consequences of their literary gifts. In this conception of genius and the role of the poet, Verlaine referred indirectly to the aesthetics of Arthur Schopenhauer , the philosopher of pessimism , who maintained that the purpose of art was to provide a temporary refuge from the world of strife of the will.
Schopenhauer's aesthetics represented shared concerns with the symbolist programme; they both tended to consider Art as a contemplative refuge from the world of strife and will. As a result of this desire for an artistic refuge, the symbolists used characteristic themes of mysticism and otherworldliness, a keen sense of mortality , and a sense of the malign power of sexuality , which Albert Samain termed a "fruit of death upon the tree of life. A dying man in a hospital bed, seeking escape from the pain and dreariness of his physical surroundings, turns toward his window but then turns away in disgust from.
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The symbolist style has frequently been confused with decadence , the name derived from French literary critics in the s, suggesting the writers were self indulgent and obsessed with taboo subjects. By the late s, the terms "symbolism" and "decadence" were understood to be almost synonymous.
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A number of important literary publications were founded by symbolists or became associated with the style. The first was La Vogue initiated in April Symbolism in literature is distinct from symbolism in art although the two were similar in many aspects. In painting, symbolism can be seen as a revival of some mystical tendencies in the Romantic tradition , and was close to the self-consciously morbid and private decadent movement.
Auguste Rodin is sometimes considered a symbolist sculptor. The symbolist painters used mythological and dream imagery. The symbols used by symbolism are not the familiar emblems of mainstream iconography but intensely personal, private, obscure and ambiguous references.
More a philosophy than an actual style of art, symbolism in painting influenced the contemporary Art Nouveau style and Les Nabis.
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Symbolism had some influence on music as well. Many symbolist writers and critics were early enthusiasts of the music of Richard Wagner ,  an avid reader of Schopenhauer. The symbolist aesthetic affected the works of Claude Debussy. His choices of libretti , texts, and themes come almost exclusively from the symbolist canon. The symbolist aesthetic also influenced Aleksandr Scriabin 's compositions.
Arnold Schoenberg 's Pierrot Lunaire takes its text from German translations of the symbolist poems by Albert Giraud , showing an association between German expressionism and symbolism. Symbolism's style of the static and hieratic adapted less well to narrative fiction than it did to poetry. This novel, in which very little happens, catalogues the psychology of Des Esseintes, an eccentric, reclusive antihero. Oscar Wilde was influenced by the novel, it being a major influence in writing his play Salome and Huysman's book appears in The Picture of Dorian Gray , with the titular character becoming corrupted after reading the book.
Paul Adam was the most prolific and representative author of symbolist novels. Few symbolists used this form.
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One exception was Gustave Kahn , who published Le Roi fou in In , Georges Rodenbach wrote the short novel Bruges-la-morte , set in the Flemish town of Bruges , which Rodenbach described as a dying, medieval city of mourning and quiet contemplation: in a typically symbolist juxtaposition, the dead city contrasts with the diabolical re-awakening of sexual desire. Gabriele d'Annunzio wrote his first novels in the symbolist manner. The characteristic emphasis on an internal life of dreams and fantasies have made symbolist theatre difficult to reconcile with more recent trends.
In it, two Rosicrucian aristocrats become enamored of each other while trying to kill each other, only to agree to commit suicide mutually because nothing in life could equal their fantasies. From this play, Edmund Wilson adopted the title Axel's Castle for his influential study of the symbolist literary aftermath.
He wrote Belkiss , "dramatic prose-poem" as he called it, about the doomed passion of Belkiss, The Queen of Sheba , to Solomon, depicting in a avant-guard and violent style the psychological tension and recreating very accurately the tenth century BC Israel. He also wrote King Galaor and Polycrates' Ring , being one the most prolific Symbolist theoriticians. Some of his greatest successes include opening his own symbolist theatre, producing the first staging of Alfred Jarry 's Ubu Roi , and introducing French theatregoers to playwrights such as Ibsen and Strindberg. The later works of the Russian playwright Anton Chekhov have been identified by essayist Paul Schmidt as being much influenced by symbolist pessimism.
Black night. White snow. The wind, the wind! It will not let you go. Through God's whole world it blows The wind is weaving The white snow. Brother ice peeps from below Stumbling and tumbling Folk slip and fall.
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