The American Tap Dance Foundation presents this annual showcase of tap choreographers pushing the medium in new directions. Past editions have included tap-capoeira fusions, statements of political protest and digital experiments with sound.follow url
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Based in Washington, D. A writer, dancer, circus acrobat and comedian, Ms. Truscott can subvert and invert the conventions of any genre: cabaret, comedy show, modern dance performance. Over the past five years, the choreographer Paloma McGregor has been developing Dancing While Black, an artist-led initiative that supports the work of black dance makers.
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Helene Appel, Sand, A subsequent chat with a knowledgeable gallery assistant made me feel a little better about my gullibility. Appel has worked hard at her trickery, certainly in the almost 13 foot wide Blue Net. Critical appreciation of Blue Net makes one wonder at the allegiance of this artist born in Karlsruhe in , who studied in Hamburg and London, for the work is in equal measure Brice Marden and Catherine Murphy.
Even once we register the skill and patience of their rendering, these loops of netting continue to exalt in their reductive alloverness. It is not a rigid grid, for sure, but a lifelike, arbitrary deposit all the more composed in the casualness of the conveyed heap. But maybe the generational privilege of a younger German painter is to be freed of any implied antimony between Minimalism and Hyperrealism; that at this stage of art history we can have our cake and eat it; that old battles are lost and won.
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These are highly intelligent paintings, not just in the ways they are learned in art lore, but because they are filled with local and particular decisions that earn respect with time spent with them even after the pecking punch line has been delivered. This has to do with variety of approach from one motif to the next.
Blue Net is the tour de force of verisimilitude here. A close second is Shell Pasta , a tiny canvas at three by one and one half inches. Dimensional extremity, in either direction, is perhaps a strategy for Appel to think of herself as respectably conceptual rather than academic in her realism not — please note — for this critic, but others are concerned by such niceties. Helene Appel, Spaghetti,
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